short version 谢资源 滨口一贯性好强二十多岁的时候看透人际的力量关系深知对话本身的束缚性还知道如何表达诸如男性之间的争夺和暴力性凭借口头足球来演绎低成本低风险高回收之前读18年的访谈里他提到电影中暴力场面的功效与风险二十出头就琢磨清楚了敬东大学霸 开场跟drive my car同一个角度片尾那段拍得确实调情绪想起去看ogre you asshole现场的感觉了极简主义的胜利 然后是啦啦啦资源视频在线观看8通过这部依旧能感受到滨口本人的温油与善良为什么呢因为他不仅主动承担了片中的死宅好赌没脑子嘴巴烂的屌丝角色还在最后给这个屌丝找了个漂亮的女朋友 配乐是东大哲学系千叶雅也的乐队的作品名字叫アレするとよくしまる草wwwww
I miss Paris Métro. I miss our futile attempts to read the Métro map. I miss Parisians' effortlessly chic outfits and modernistic ads that oddly harmonize with dim, historic stations. I miss taking photos of approaching trains. I miss the feel of déjà vu in old, metallic trains. I miss the amicable chuckles as we mispronounced the stations. I miss the days when my biggest troubles were figuring out where, when and what to explore at Paris. I miss myself.